sum night viper

Some night viper’s chewing on his plum whisker,
rummaging in his candy satchel, 
the pants are enormous:
swift thwump of redumption.

New biosphere: this one teaming with green life.
We merched to the bank of extinction
where jammed, a new mammoth (mastodon)
rose to the tusk of DNA planter.

As I sort through my lust, mental clutter at dusk
it occurs you were right all along.
Meanwhile, I was left at expense to tap desk
with a pen whose blue ink had been drawn.

Waking Poem 2

what a ride
what a ride
endless dream after dreams.
dream becoming another dream
dream that never ends
halls stair wells and little doors of your imagination 
you chase the witch
she is down there she is down there

focusing on sensation proves the surest path to pleasure
pleasure is intense and realistic
in a dormitory

a blob of ink that hits the page and shatters
into one hundred colorful consciousnesses
some wobble and wane as others burst forth
the name of the game is

you are more than one
you are not alone
within you without
and within you become
multitudinous

oh my
oh my

these friends joined the beds with me

and were alarmed at my unending slumber
careening to the valleys of dream
at times beautiful in others
the terror was so much as to jolt me from sleep
the clamor
the building sensation of fear as suddenly im shot shot
again im shot in my own driveway
for not having any cannabis
im brought down

conquered.

intense and delightful
spears and swords
mirrors on walls
who are we and where

the big house
explore my new environs
nyc out on the street
finding myself in a new scene
its newly realistic - #repainted
look what they did with the place
the magical hall ways are full of signs

i want something different
tired of the same orgiastic pulse

brought my little potted plant army here
along for the ride
they are passengers now on my dream ship

this ship only gives way to fire
and theres no horizon it cannot cross my
dream sheep
asleep in a dream within a dream

all of of us organized oddly in the beds
two here, three in that one
he kindly lets me know im exposed

little greasing of the wheels
oh no no nobody nothing compares to that 
funky splendor that one two cupcake
that here you are and yank you different
i can fall asleep easily
feeling that odd rush that teleports us back
into the dream context
that deeper rush
dreaming within a dream

i might be human
but the coffee im drinking 
came from the dream world

my hand lifts as if by a ghost
and it is moved to write a poem

is somebody making the pancakes

crack of mine morning eye glow
my vista swings broad, alpine 
crater water sings turquosie, rose
are the pearly-green mountainslopes: i'm in bed

haunted by big kitchen mouth feeders
who is making the pancakes? 
is anyone making the pancakes?
Is somebody making. 9am the time, 9:04am

did my dust settle? snorted maybe
tear filled love eyes wiped to hide
away the aborted baby
the boxed up thought-child

nobody is making the pancakes
oh, i am. i am making the pancakes

waking poem 1 [01/16/19]

mr. king konga line’s bringing back sexy
muddled morphibinals glance on the hew
hemingway wannabe sit by the fire with
crackling simple syr stirred in their brew

utica, tuscana, leeds, aramaic 
expedient entelop clusped mormed en shunk
looking box hand me down silver spoonanimals
shiver in boxes and glitter in skunk

i me ma’am am the mixed marble fable made son
of the ungrumbled floogs in the west
the intended recip of chermidgenly solace
the clamberry munchkin, a far from the rest

so murder my noodle my hallogen claproot
my bulb that rolls asphalt and breaks in the yard
slide up with bots that go Z in the night that
explode with delight into scarless dwarf stars

mirror hands

dancing with angelicandor
in the jam of your door
the ledge where your mercy was pledged

dancing with sweet cherubandon
at rim of your canyon
caldera where scarabs were hewn

these were the gold bezeled beetles
whose flight above babylon
offered us quintescent views

those whose wing filament flicks
gaves us glimmers of hope
we could hopelessly choose

to chase mirage pyrimads looming
the painflower blooming
our petal welt skin

still I stand mirror hands 
clutching rose heart in the
casket we’re already in

Happy F'in Birthday

From the inside of the 11:00am Northeast Regional it looks warm outside. I can guarantee you that it is not, and that the further north we go, the colder it is going to get. I still haven’t quite come to terms with whatever I’ll be stepping off into in Boston.

There’s a woman named Maria that I am about to send a text message to. She lives in Boston. We met at Burning Man this summer. She was camping in the camp that hosts the “bootie black rock city” party, which happened to be next to a camp called “The Star Cats” that many of my friends camp in. Maria had a friend at the camp, a 48 year old looking guy with pink hair, strappy leather work gear, and a big exposed belly.  It was his birthday that day. The camp mates ran out into the middle of the clearing by the camp and held up balloons that read:

“Happy Fucking Birthday”

Maria organized it. She stood there and snapped the photo. It was my birthday too, and I told the pink haired man that. “It’s a blessing and a curse,” he said, “to have your birthday during the burn. It’s kind of like having your birthday on Christmas.” My mom’s birthday is on Christmas day. 

A few month after Burning Man I was walking down Ames St. in Cambridge with my bag fully packed, er route to NYC. I saw an awkwardly parked U-Haul van and a woman in black utility boots was standing on the sidewalk evaluating it’s placement.

“Hey,” I said, “I know you. We met at burning man right?”

“Oh yeah,” said Maria, “Nice to see you.”

We hugged and then had a conversation about what she was doing in Cambridge. We added each other on facebook, zero mutual friends, then I left to go get some dumplings. 

Sitting at the counter waiting for my veggie dumplings, I looked at Maria’s facebook. It was her birthday that day. I felt bad missing a chance to tell her happy birthday, especially since she had unwittingly delivered an enthusiastic birthday message on mine. 

After eating I ducked into a bank that looked like they were setting up to have some kind of party with a cake. “We just launched our new branding,” the clerk explained. The new logo updated their font from a gothic calligraphic script (think “New York Times” logo) to something a bit closer to Helvetica.

“Do you have any printer paper I could borrow?” I asked the clerk. 

I took a sharpie out of my bag, and drew a happy birthday note on the sheet of paper, then walked back to the U-Haul and stuck it behind the windshield wiper. There was something else in the windshield wiper too - a parking ticket. 

That was the last time I spoke with Maria, but I’m going to message her again right now. 

. . .

Three days later now I’m on the train again, this time facing backwards as I get hauled from Boston to Providence. Wet and nippy out. Dark.

As for things with Maria, we got drinks at the Independent in Somerville. We smiled at one another. I was a little late, she was a little later. She had spectacular hair. Two beers in I learned that she loves motorcycles and recently started dating someone who rides one. 

“We’ve been friends for a long time.”

She did connect me to the 48 year old looking guy with pink hair. It turns out that his name is Sean and he’s probably 31. We had a 10:30am call and I took it from a nook in the wall of 4th West, an MIT dorm with graffiti on the walls and sticky carpet floor. 

"I'll send you the form, fill it out and if you can make it up to Boston 3 or 4 times you can join our camp." 

the forest house

the big window is high in the trees
there’s a ledge my cat can jump up.
i have all kinds of vehicles here
but my van is jumbled in with the washing machines.
some succulents thrive in the garden
others have gone to rot:
not wanting my grandmother to see the dead ones
i turn over the grainy red dirt
so they won’t show.

set of ones

Nov 11 is an important day for me. 11/11/11 was the day when we officially launched the Teespring company. 

I see those 6 ones as two pairs of 3. Each three is split into three ones. 

Numerology, I know, but stay with me. The smoke stacks of the Point St. power plant reflect into the chilly waters of the Providence river by its mouth at Fox Point. 

What I love about maps is that if you zoom out far enough you can zoom back in anywhere.

Sitting on the 72nd st. entrance to Central Park watching the pedicab drivers pick targets for their peddling. Groups of two or more including at least one woman are prime. Extra attention given if the women are older, or larger, or if there’s a kid. It’s $4.99 per minute to ride around the park. A tri-generational squad of Argentinian women acquiesce after some cross-linguistic squabbling.

When we launched the company on 11/11/11 we didn’t know how big things were going to get, or how messy or how sometimes bad. In fact that was before I had even met L yet.

Ok, that’s a lie, I had met L, sold her an eighth and rolled on the grass in her laughter yoga class before either of us graduated. And I had met her too. 

11/11/11 was after a summer when I had been working myself into a sad desperate Providence fall - the first I’d had out of love in some time. Kind of like me now, single in autumn for the first time in a long time. 

I was coming off a bender that involved late nights coding, getting high in a house with 5 other guys, methylone salt baths. 

Erin says I need to read poetry to be a good poet. Sigh. I never read enough. I do love reading - absorbing an author’s style and substance to gluttony to vomit out my own glewpy essential take. But I just don't do it very much.

I watched a play last night about Walt Whitman. My father loves Walt Whitman. He gave me a copy of Leaves of Grass. The play shows you how Song of Myself has a lot of moving parts. Under your boot soles. Trippers and askers surround me. As good belongs to you. 

Sticking with me? 

The company I launched on 11/11/11 would go on to achieve a valuation of close to one billion dollars. We would have 500 employees, raise and spend tens of millions. 

Capitalismy lust. I wanted become someone worth loving and someone interesting. Money was a path to that.

I’m no longer among the most successful people I know. There was a moment though. There was a moment when I thought I would near own the world.

I spent this last week holed up with a boy-haired mistress: lip trembling between her sex teeth, fastened to the crystal vortex of narrow Ukrainian eyes in shades of blue grey green. 

I’m trying to do something intentionally kind every day. Because a woman who handed me a pair of handcrafted pipe cleaner bunny ears in Hell’s Kitchen told me that was what she expected in return for the adornment. One act of intentional kindness, every day, for a year. I believe that was on October 9th. 

I breathed a sigh of relief when she said it could be to myself, that it could be as simple as a smile, that it could be being easy on myself for forgetting to do a kind thing some days. 

Still I worried. Thinking about anything every day for a year. Is that a lot? How many thoughts in a day? How many days in a life? It's actually stressing me out right now. 

Shoes walk past me on the chilly entrance to Strawberry Fields and someone says, “he was shot outside of that building” pointing to the Dakota.

Last night my heart thumped as my phone rang over and over and over again at 5:25am. “No Caller ID”. Finally I nervously accepted the call. A voice on the other end said “I’m looking for five six zero seven nine two imma kill you you b**** ass n***** six zero eight.”

One... one. One... Is this real? Dream check? Yeah, no, this is real.

Dance Dance Revolutionaries

“There’s nothing here.”

That's my first thought upon arriving at 179 Russell St.

It's a church. A small older man with a balding head, a funny little moustache and a back pack that looked like it weighs half as much as he does is slouched on the church steps. That's it.

I came here for a dance party. I say “hey there” to the man, though it seems like a stretch that this little old guy in a tucked pale orange plaid and khakis would know anything about a dance party.

The man looks up, grunts, and looks back down. It’s a big, dark church across from a park and nobody is around.

About to give up, I figure the event must have been cancelled or something, and start walking back towards Williamsburg. Then I notice a door, a side door into the church with the numbers 179 above it. It’s worth a shot.  If there’s any chance of a dance party, I want to find it. 

I open the door and it’s dead quiet. There’s a stair case going down to a door. I walk through it into a very large room. Extremely brightly lit, white fluorescents casting an uncomfortable glow over the whole room. And there’s a dude in there - just one guy - but as soon as I see him I know that this is somehow where I meant to come. He’s a large asian man with a gelled up hairstyle and plenty of tattoos. 

“You know what this is, right?” he asks me.

“Um yeah, I read about it in the email newsletter. Dancing in the dark right? Dance party with no light?”

“Yep that’s it. And I’m the DJ. Just a couple rules. No cell phones, no break dancing, and most importantly - no watching.”

“Can I help you set up?” I offer. He’s just starting to pull a large set of speakers out of closet. The room isn’t set up at all. 

“No, no. I’m good”

So I sit down on a piano bench and watch as he sets up. The event is supposed to start at 8:30 and it’s already 8:35. I start to feel bad for this guy, he’s doing all this work to set up a dark dance party and it looks like he’s going to be DJing to an invisible audience of one. Thumbing $5 I brought for the suggested donation I start to wonder if a $20 pity donation would actually be more appropriate. 

Finally someone comes in. Actually a nice looking young woman in yoga pants. But she just says “I’m looking for my friend” who apparently isn’t me, and then turns around and leaves. 

A few more minutes tick by and the DJ is frantically setting up fans, switching out light bulbs, and plugging in his sound system. As I watch the door, I'm shocked to see the older guy from the church steps walking in. He places his massive back pack against a wall and takes a place on the dance floor. 

The lights go off. The DJ presses play. 

Madonna - "Hung Up"

I start moving, trying to truly bring myself into the present, to be one with the darkness, to channel energy like a tai-chi flow master. I start grooving, moving, taking up space, bouncing around, hopping, waving my arms madly, hips to the left, hips to the right. 

The DJ puts on something funky, something jazzy and latin, with a nice thumpy beat. I’m in salsa mode, back and forth hands to the side hands up, swinging down and around. 

When the song goes quiet. I hear applause. Gentle, and measured, but significant. I turn around to see the swaying, bouncing silhouettes of several dozen people. The place is packed, and every single person you can barely make out is shaking, gyrating, skipping across the floor to the rhythm.

I realize I’m violating the “no looking” rule and get back to my dancing. By the time they finish with some ballet inducing melodies and the punky ska of Le Tigre’s “Deceptacon” I’m sweaty as hell in my black Levi’s thinking “maybe this is what SoulCycle is like”.

The Violent Femmes - "Blister in the Sun"

Although I constantly feel pulled back to a sense of vanity, a wanting to be seen, I’m empowered by the fact that I’m not. Empowered to swing wider, step faster, hop harder, or sway my hips just a little more smoothly on the sexy parts. 

MC Hammer  - "Can't Touch This"

Eventually a red light on the side goes on and you can dimly make out the faces of the people. When the music stops, and the lights come back on, the hall is cleared again, just me, the DJ, and the old guy with the back pack. 

I stumble back out on the Greenpoint street. Sweaty, but happy. Another night of weird single existence rescued from mundane loneliness.

***

 

still – in dreams – across nets – in words and glances – as beautiful and eloquent as
if you want something, you need to ask for it.

decision making process

hard to choose
its hard to choose
it can be ha erd to cha oose
i yit cah yun buh ee ha erd tuh oo cha oose
oose cha oo tuh erd ha?
yit cah yun buh ee ha.
buh ee yun erd ha oose?
ha oose tuh cah erd be.
yit buh ha tuh cha
it can be ha erd tuh oo cha oose
it can be h ard to ch oose
its hard to choose
hard to choose

phone a friend?